Books with author Charles Perrault

Eight of the twelve tales in this book are from the master hand of Charles Perrault (1628-1703). Although Perrault enjoyed much distinction in the French literary circle of the late seventeenth century, his fame today rests upon his authorship of the traditional 'Tales of Mother Goose', or 'Stories of Olden Times'. And it is true to say that as long as there are children to listen spellbound to the adventures of 'Cinderella', 'Red Riding Hood', and that arch rogue 'Puss in Boots', his memory will endure. Three of the tales, 'The Ridiculous Wishes', 'Donkey-Skin' and 'Patient Griselda', are seldom included in Perrault collections as they were written in a very florid verse form. Not only Perrault, but Boccaccio, Chaucer and others have used the story of 'Patient Griselda'. The last story, 'Beauty and the Beast', again not by Perrault (it was penned by Mme. Leprince de Beaumont 1711-1781), has a similarity of style and celebrity which justifiably merits its inclusion.

Charles Perrault must have been as charming a fellow as a man could meet. He was one of the best-liked personages of his own great age, and he has remained ever since a prime favourite of mankind. We are fortunate in knowing a great deal about his varied life, deriving our knowledge mainly from D'Alembert's history of the French Academy and from his own memoirs, which were written for his grandchildren, but not published till sixty-six years after his death. We should, I think, be more fortunate still if the memoirs had not ceased in mid-career, or if their author had permitted himself to write of his family affairs without reserve or restraint, in the approved manner of modern autobiography. We should like, for example, to know much more than we do about the wife and the two sons to whom he was so devoted.

The Puss in Boots fairy tale is a story known all over the world; re-adapted, appropriated and changed by many cultures. The plot centres around a cat (or in some cases a jackal, a gazelle, or even a fairy-in-disguise) that uses trickery and deceit to gain power, wealth, and the hand of a princess for his penniless and low-born master. It is unusual in folkloric storytelling, in that there is no obvious moral – with riches gained through double-dealing, rightful owners deprived of their lands, and innocent princesses given falsely in marriage.